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Krzysztof Witold Skórczewski (pronounced skoor-chef-ski)
Saturday, Sept 19 - Sunday, Oct 25, 2009

Krzysztof W. Skórczewski works with one of the oldest printmaking techniques, copperplate engravings. Over the last 30 years, he has created a vast collection of nearly 200 copper etchings grouped into cycles with editions of no more than 100 impressions from each plate. He is inspired by architecture, cityscapes, flora and fauna and incorporates these images into his work.

Please note that the first  4 prints will be on view at the show, other prints may be seen by appointment.


     
Lutomski thumb Lutomski thumb Lutomski thumb

Cathedral
12 5/8 x 11 3/8

Rope
14 1/4 x 12 1/4

Carousel
8 7/8 x 13

     
Lutomski thumb
Lutomski thumb
Lutomski thumb

Gates of Babylon
9 7/8 x 12 15/16

Concert
4 13/16 x 6 1/4

Utopia II
8 1/8 x 10
     
Lutomski thumb
Lutomski thumb
Lutomski thumb
Pyramid
5 3/4 x 6 11/16
Eye of the Universe
7 5/8 x 9 1/16

Tower of Time
7 3/4 x 5 13/16

     
Lutomski thumb
Lutomski thumb
Lutomski thumb

Harlequin
8 2/3 x 10 1/3

Awakening
6 x 6 11/16

Puppets
3 1/8 x 2 5/8

     
Lutomski thumb

 

Mushrooms
7 3/4 x 7 13/16

 

 

 


skorczewskiabout the artist
Krzysztof Witold Skórczewski (b. 1947 in Cracow, Poland) graduated from the Academy of Fine Arts in Cracow in 1971, and studied copperplate engraving in Stockholm at the Royal School of Art in 1976. Currently, he is the head of the Department of Print at Rzeszow University’s Institute of Fine Arts.

His engravings have been shown in at least 50 individual and over 200 group exhibitions. Skórczewski  has won a number of awards and his work is included in private and public collections, such as the Museum of Modern Art in New York, and Albertina Museum in Vienna.

Skórczewski is a member of the Polish Artists' Union (ZPAP), International Graphic Art Biennale Award-Winners' Club and International Xylon Society.

Skórczewski lives in Cracow with his wife who helps run his studio and printing press.

 

selected solo exhibitions

The most recent shows include Torri Vedute Giardini, Galleria Il Tempo, Bologna, Italy, April - May 2006; Magical Cracow, Cracow, July - Aug 2006. He has also taken part in many exhibitions and competitions in Poland. Here are some of his solo exhibitions:

1975: Pro Art Gallery, Stockholm, Sweden

1980: BWA Gallery, Jelenia Gora, Poland

1980: GP Gallery, Warsaw, Poland

1981: BWA Gallery, Jelenia Gora, Poland

1982: Sormani Palace, Milan, Italy

1984: PN Gallery, Warsaw, Poland

1985: Inny Swiat Gallery, Cracow, Poland

1988: NDA Gallery, Sapporo, Japan

1988: Inny Swiat Gallery, Cracow, Poland

1988: PN Gallery, Warsaw, Poland

1988: 72 Gallery, Poznan, Poland

1991: The Museum of Copper, Legnica, Poland

1991: Aneks Gallery, Poznan, Poland

1992: Rosso Tiziano Arte Gallery, Piacenza, Italy

1992: PN Gallery, Warsaw, Poland

1992: Inny Swiat and Camelot Galleries, Cracow, Poland

1992: Institute of Polish Culture, Prague, Czech Republic

1993: The Polish Institute, Leipzig, Germany

1994: Balucka Gallery, Lodz, Poland

1994: Joannart Gallery, Vicenza, Italy

1994: Brama Gallery, Gliwice, Poland

1994: Garbary 48 Gallery, Poznan, Poland

1995: The Institute of Polish Culture, Roma, Italy

1995: Piano Nobile Gallery, Cracow, Poland

1995: Galerie Provinciale & Jan Fejkiel Gallery, Liege, Belgium

1995: Jan Fejkiel Gallery, Cracow, Poland

 

works in selected foreign collections

Library of Congress, Washington, USA

Museum of Modern Art, New York, USA

National Gallery of Art, Washington, DC

University of California, Berkeley, USA

Kunsthalle Bremen, Germany

Cabinet des Estampes, Geneva, Switzerland

Albertina Collection,Vienna, Austria

Museum of History and Art, Fribourg, Switzerland

Harvard University, Fogg Museum, Agnes Mongan Center for the Study of Prints, Drawings and Photographs, Cambridge, MA, USA

Agnes Mongan Center for the Study Lund Municipal Collection, Sweden

Guilford College Art Gallery, Greensboro, USA

Harvard University, Divinity School, Cambridge, USA

California College of Arts & Crafts, Oakland, USA

Oregon Art Institute, Portland, USA

Museum of Art, University of Arizona, Tucson, USA

Couvin Municipal Collection, Belgium

Kunsthalle Bremen, Germany

and many private collections worldwide

 

works in selected Polish collections

Besides the museums of Poznan and Tarnow, the Ministry of Culture and Art Collection, and the Town Council Collections of Cracow and Lublin, some of his works are in the following collections:

Muzeum Miedzi, Legnica, Poland

Biblioteka Narodowa, Warsaw, Poland

Teatr Studio, Warsaw, Poland

National Museum, Warsaw, Poland

National Museum, Cracow, Poland

National Museum, Szczecin, Poland

National Museum, Gdansk, Poland

Muzeum im. L. Wyczolkowskiego, Bydgoszcz, Poland

Muzeum Ziemi Lubuskiej, Zielona Gora

and many private collections throughout Poland

PRINTMAKING 101
t e r m s    &   t y p e s

engraving: the oldest of the intaglio techniques. The image is incised with a tool known as a "burin" or "graver". The handle is pushed with the palm of the hand, the forefinger guides the shaft and the sharp tip ploughs across the plate cutting a V-shaped groove. The art of engraving came of age in Germany in the 1470s, reached an early peak in the work of Durer and accounted for the vast majority of European prints from the 16th century into the 19th century. Its main function for most of that time was reproductive. To match the gradations from light to dark in paintings and sculpture, engravers laid down astonishingly intricate networks of parallel and criss-crossing lines, taking an evident delight in geometric pattern making for its own sake. Engraving lends itself to the finest detailing, but at the expense of much labor, time and tribulation. In this century it has become a rarity among artists, though still is common use on paper money.
from The Art of the Print glossary by Malcolm Warner, Curator of Prints, Drawings & European Paintings, San Diego Museum of Art

additional printmaking terms

 
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